Three ways to work together. Every project is scoped and quoted up front — you know the number, the deliverables and the timeline before anything starts.
One piece, done properly — explainer, VSL, ad set or brand cut.
A full creative set around one launch — hero film plus every cut it needs.
Reserved capacity each month — for teams that ship video continuously.
Prices are starting points — the quote depends on runtime, scope and how much gets designed from scratch.
Move the slider to see how scope changes the price. These are real starting numbers — the quote you get back is fixed, not an estimate that grows.
Sound design, storyboard sign-off, every ratio and two revision rounds are included in each of these.
Only what you actually need — nothing bundled in to pad the invoice.
Text and timing swapped, voiceover re-cut to your new read.
A new 15s or 30s pull from an existing master.
Beyond the two included — only if you need it.
Priority scheduling when the launch date won't move.
Project files handed over on completion.
These aren't upsells. They're the parts that decide whether a video works, so they're never the thing that gets cut to hit a number.
Because you shouldn't pay more for me getting faster. Scope, deliverables and revision rounds are agreed before we start, and the number doesn't move unless the scope does.
Runtime, how much has to be designed from scratch, how many variants and ratios you need, and whether voiceover or licensed music is involved.
Sometimes — short social cuts or a single animated asset. Send it over and I'll tell you honestly whether it's worth a project or ten minutes of advice.
Fifty percent to book the slot, fifty on delivery. For monthly partners, invoiced at the start of each month.
Send a short brief — format, rough length and deadline. You'll get a fixed quote back, not a discovery call.
Drop me a line — copy the address, or open it straight in your mail app.